Hi there, ELECTROCHEMY TV Viewers!
Good evening! How goes it? Me? I have to admit that I am a bit stressed out! I think it's good stress as I am involved in such a brilliant project that is ELECTROCHEMY TV! So much going on it is unreal! The weekends come so fast these days! Whizzing by like a supersonic jet! Anyway...
Here's something for the weekend...
The next episode is on the way... It's looking good!
Here is the current broadcast if you haven't seen it already:
The episode below features a mini documentary, Resistor, that focuses on the pedophile rings in Westminster - where the British government is located. Pedophilia is rife and is operating within the so called "higher echelons" of British society and the network is worldwide. Here we've covered a protest group demonstrating in London's Trafalgar Square and what they have exposed and continue to expose is shocking to say the least! Featuring activist and filmmaker Bill Maloney who has made several hard hitting documentaries on the subject matter of systematic ritual child abuse and murder.
Watch, like, share and subscribe! ;)
Here's the VST collection for this weekend!
THE VST LOTTERY!
Download these beautiful VSTs now!
http://mhsecure.com/metric_halo/products/software/thump.html
Sanford Reverb is a versatile stereo reverb capable of simulating many kinds of spaces.
The Sanford Delay is an easy to use stereo delay that gets the job done quickly and efficiently.
It features a filter in the feedback path that lets you dampen the feedback over time, giving the delay a natural sound. It also allows you to pan the feedback across the stereo spectrum creating the classic "ping-pong" effect. Overall, its main quality is simplicity. If you need a straightforward delay that doesn't overwhelm you with bells and whistles, this is the one for you.
Low CPU usage.
The Sanford Bass Tightener is a spatial effect for tightening up the stereo spread.
It allows you to set the frequencies below a certain specified frequency to mono, for example 120Hz, while allowing the higher frequencies to remain in stereo. This can help during mixing/mastering by keeping the the bass tight and centered and the higher range nice and wide.
http://www.lesliesanford.com/vst/plugins/
Marazmator is a SFX synthesizer capable of unusual space sounding.
https://vk.com/stonevoices?w=wall-63761119_285%2Fall
DQ65 is a dynamic parametric equalizer.
It has two gain controls per filter - one for high levels of input signal, other for low. Input signal can be scaled to utilize it's range completely. All other controls function the same way as in standard parametric EQs. Built for mixing purposes, especially for instruments and sounds with wide and varying dynamic range.
Parametric M/S equalizer designed for mastering. MQ57 has all controls and functions optimized for mastering needs. It has relatively wide Q factors that focus on overall balance rather than narrow cuts and boosts, moderate gain ranges for fine-tuning and functions such as channel linking and precise cut filters.
Parametric mixing equalizer based on MQ57. Most of the functions are the same, except that MQ55 operates only in stereo mode, has cut filters with milder slopes and greater operating ranges and gain ratio that acts like dry/wet control.
Multi-band stereo processor that separates audio into low, mid and high frequencies and lets you change their stereo properties - width and panning or rotation. Both crossover points are adjusted with single knob. It has simple meters for each range showing correlation or panning.
Multi-band soft-clipper that shares layout and crossover network with SX36. Each frequency range has identical controls - clipping amount and bias, output gain and modulation. It's great for taming transients of percussive sounds and generally instruments with sharp attacks and decays. Equally useful on full-mixes for squeezing out few extra dBs.
Simple equalizer that twists bass and treble using two interlocked pairs of shelf and peak filters. Some famous studio equalizers use this method to achieve deep bass and sparkling treble while simultaneously reducing muddiness and harshness. Main advantage of BTQ2 is that it allows you to get desired results quickly.
Classic chorus effect with four delay taps, two per L/R channel, and adjustable resonant cut filters. Each delay tap is modulated by advanced LFO which has less obvious repetitive effect on processed signal than basic oscillator shapes.
The most important part of every mix is midrange. That's the part every listener will hear, no matter if he/she is listening to it on hi-fi system or on laptop, in front of sound source or from another room. Focus plugin has no controls at all. It removes lowest and highest frequencies and sums left and right channel to mono. You should load it in your DAW on master bus and use it to temporarily disregard less important mix aspects.
http://www.jovankoncar.com/j1000/
Thump
Thump is a unique audio processor that allows you to synthesize low frequency audio to add low end to a track or generate another sound entirely.
Thump looks at the pitch and dynamics of its audio input and uses this information to control its oscillators. You can add low end to drums, augment a bass or even create synthetic drones.
Thump is ideal for beefing up a kick drum, add low end to percussive tracks, re-create classic drum synth sounds, and more.
You can use Thump's envelope driven, percussive sub-harmonic synth for the following things (among others): Build low-octave support for bass drum, tom, snare, and other percussive tracks. Create kettle drum sounds from regular drum tracks. Re-create the sounds of classic drum synths like the TR-808.
http://mhsecure.com/metric_halo/products/software/thump.html
Sanford Reverb
Sanford Reverb is a versatile stereo reverb capable of simulating many kinds of spaces.
Delay
The Sanford Delay is an easy to use stereo delay that gets the job done quickly and efficiently.
It features a filter in the feedback path that lets you dampen the feedback over time, giving the delay a natural sound. It also allows you to pan the feedback across the stereo spectrum creating the classic "ping-pong" effect. Overall, its main quality is simplicity. If you need a straightforward delay that doesn't overwhelm you with bells and whistles, this is the one for you.
Low CPU usage.
Bass Tightener
The Sanford Bass Tightener is a spatial effect for tightening up the stereo spread.
It allows you to set the frequencies below a certain specified frequency to mono, for example 120Hz, while allowing the higher frequencies to remain in stereo. This can help during mixing/mastering by keeping the the bass tight and centered and the higher range nice and wide.
http://www.lesliesanford.com/vst/plugins/
Marazmator
Marazmator is a SFX synthesizer capable of unusual space sounding.
https://vk.com/stonevoices?w=wall-63761119_285%2Fall
DQ65
DQ65 is a dynamic parametric equalizer.
It has two gain controls per filter - one for high levels of input signal, other for low. Input signal can be scaled to utilize it's range completely. All other controls function the same way as in standard parametric EQs. Built for mixing purposes, especially for instruments and sounds with wide and varying dynamic range.
MQ57
Parametric M/S equalizer designed for mastering. MQ57 has all controls and functions optimized for mastering needs. It has relatively wide Q factors that focus on overall balance rather than narrow cuts and boosts, moderate gain ranges for fine-tuning and functions such as channel linking and precise cut filters.
MQ55
Parametric mixing equalizer based on MQ57. Most of the functions are the same, except that MQ55 operates only in stereo mode, has cut filters with milder slopes and greater operating ranges and gain ratio that acts like dry/wet control.
SX36
Multi-band stereo processor that separates audio into low, mid and high frequencies and lets you change their stereo properties - width and panning or rotation. Both crossover points are adjusted with single knob. It has simple meters for each range showing correlation or panning.
CL36
Multi-band soft-clipper that shares layout and crossover network with SX36. Each frequency range has identical controls - clipping amount and bias, output gain and modulation. It's great for taming transients of percussive sounds and generally instruments with sharp attacks and decays. Equally useful on full-mixes for squeezing out few extra dBs.
BTQ2
Simple equalizer that twists bass and treble using two interlocked pairs of shelf and peak filters. Some famous studio equalizers use this method to achieve deep bass and sparkling treble while simultaneously reducing muddiness and harshness. Main advantage of BTQ2 is that it allows you to get desired results quickly.
CH4D
Classic chorus effect with four delay taps, two per L/R channel, and adjustable resonant cut filters. Each delay tap is modulated by advanced LFO which has less obvious repetitive effect on processed signal than basic oscillator shapes.
Focus
The most important part of every mix is midrange. That's the part every listener will hear, no matter if he/she is listening to it on hi-fi system or on laptop, in front of sound source or from another room. Focus plugin has no controls at all. It removes lowest and highest frequencies and sums left and right channel to mono. You should load it in your DAW on master bus and use it to temporarily disregard less important mix aspects.
http://www.jovankoncar.com/j1000/
WOW
You must be so very horny to want to try them all out and add them to your music / noise projects! I don't blame you! They are AWESOME VSTs!
Please link me to your music! You will find the ELECTROCHEMY TV social network links via the official ELECTROCHEMY TV website linked in my signature below. There you will find links to my ELECTROCHEMY TV Facebook Groups! Join them and link your music! I do listen when I am not putting a broadcast together!
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Thank you for reading!
Subscribe here: ELECTROCHEMY TV
This is 1001% genuine! You have to subscribe to win this mystery prize!
Thank you for reading!
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